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John Shand writes: If the knowledge that a solo pianist is playing a Steinway even infinitesimally narrows your idea of how this album may sound, forget it, because post-production treatments have been used in ways that are both disorienting and enchanting. It is like hearing a piano conversing with its own ghost. Adrian Lim-Klumpes has never been constrained by convention, and this album is exhilarating in its concept freedom, his formal intent to create a set of preludes an